Lynda Schlosberg: New Work Started-3 Layers In...

Here's the new piece after a week. Three colors/layers done...

"Matrix III" in process - 110" x 55" acrylic on paper.

ON MY BOOKSHELF

A Brief Tour of Human Conciousness, by V.S. Ramachandran
A Field Guide to Getting Lost, by Rebecca Solnit
A Guide to Merleau-Ponty's Phenomenology of Perception, edited by George J. Marshall
A New Earth, by Eckhart Tolle
Abstract Art (World of Art), by Anna Moszynska
Abstract Art, by Mel Gooding
Against Interpretation: And Other Essays, by Susan Sontag
Art and Objecthood, by Michael Fried
Art and Visual Perception: A Psychology of the Creative Eye, by Rudolf Arnheim
Artscience: Creativity in the Post-Google Generation, by David Edwards
Chromaphobia, by David Batchelor
Color in Art, by John Gage
Concsiousness Explained, by Daniel C. Dennett
Echo Objects: The Cognitive Work of Images, by Barbara Maria Stafford
Eyesight Alone: Clement Greenberg's Modernism and the Bureaucratization of the Senses, by Caroline A. Jones
Formless: A User's Guide, by Rosalind Kraus
Freud as Philosopher: Metapsychology After Lacan, by Richard Boothby
Good Looking: Essays on the Virtue of Images, by Barbara Maria Stafford
Insights of Genius: Imagery and Creativity in Science and Art, by Arthur I. Miller
Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self, by Steven Z. Levine
My Stroke of Insight: A Brain Scientist's Personal Journey, by Jill Bolte Taylor, PhD
On Abstract Art, by Briony Fer
Optic Nerve: Perceptual Art of the 1960's, by Joe Houston
Out of Control: The New Biology of Machines, Social Systems, and the Economic World, by Kevin Kelly
Painting Machines: Industrial Image and Process in Contemporary Art: Boston University Art Gallery October 30-December 14,1997, by Caroline A. Jones
Paths to the Absolute, by John Golding
Phenomonology of Perception, by Merleau Ponty, translated by Colin Smith
Pictures of Nothing: Abstract Art Since Pollack, by Kirk Varnedoe
Quantum Shift in the Global Brain: How the New Scientific Reality Can Change Us and Our World, by Ervin Laszlo
Simulacra and Simulation, by Jean Baudrillard
Technoromanticisim: Digital Narrative, Holism, an the Romance of the Real, by Richard Coyne
The Artful Eye, by Richard Gregory, John Harris, Priscilla Heard, and David Rose
The Book of Nothing: Vaccums, Voids, and the Latest Ideas About the Origins of the Universe, by John D. Barrow
The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle, by Jonathan Beller
The Fabric of the Cosmos, by Brian Greene
The Infinite Line, by Briony Fer
The Infinte Book: A Short Guide to the Boundless, Timeless and Endless, by John D. Barrow
The Optical Unconscious, by Rosalind Krauss
The Phenomenology of Merleau-Ponty: A Search for the Limits of Consciousness, by Gary Brent Madison
The Sense of Order: A Study inthe Psychology of Decorative Art, by E.H. Gombrich
The Shadow of the Object: Psychoanalysis of the Thought Unknown, by Christopher Bollas
The Spiritual in Art: Abstract Painting 1890-1985, by Maurice Tuchman
Understanding Media: The Extensions of Man, by Marshall McLuhan
Virtual Art: From Illusion to Immersion, by Oliver Grau
Visual Digital Culture: Surface Play and Spectacle in New Media Genres, by Andrew Darley
Ways of Seeing, by John Berger

Lynda Schlosberg

Monday, September 29, 2008

New Work Started-3 Layers In...

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