Lynda Schlosberg
Beyond the MFA • Where the process creates its own answers...
Saturday, November 1, 2008
4th Layer of "Matrix III" Finished
Here is the fourth layer finished on
Matrix III
...
Here's a detail...
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Lynda Schlosberg
Lexington, MA, United States
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Blog Archive
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2009
(5)
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July
(1)
Re-emerging from MFA Program
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May
(3)
Cristi Rinklin at FP3 Boston
Artist Statement
Coming out of hiding...
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February
(1)
Hulu. An evil plot to destroy the world. Enjoy.
▼
2008
(48)
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December
(5)
Almost there...
Thesis Outline
December Trip to NYC
Update on Studio Work
Artist Statement
▼
November
(6)
Working My Way Through
Red Layer Done!
30 Hours Not Enough
Matrix IV, Layer 3 (start of Layer 5, Matrix III)...
Next Big Piece "Matrix IV" Started
4th Layer of "Matrix III" Finished
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October
(2)
Chelsea October Visit
4th Layer, Half Finished
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September
(4)
New Work Started-3 Layers In...
Test Finished, New Work Planned...
Fall Season in Chelsea
New Work Partially Finished
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August
(3)
New Work Started
Studio Finished!
Studio Renovation in Process
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July
(5)
One Month In...
Getting Ready For Working Large
Recommended Artists
3rd Semester Studio Independent Work Study
3rd Semester Academic Independent Study
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June
(1)
As the Semester Comes to a Close...
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May
(2)
Last Meeting with Mentor
Catching Up
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April
(4)
The Dia:Beacon
Weekend Exhibits and Sacred Geometry
Is printmaking in the mix?
A State of Being
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March
(6)
Working Larger
Influenced by Water
Taking My Time
It's All About Me :-)
Where the Object, Psychology and Spirit Collide......
Gaining Ground?
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February
(8)
But it's About Nature....
Safety
Moving Out of Comfort Zone
Digging in...
Recommended Readings
Recommended Artists
Studio Independent Work Study
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January
(2)
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2007
(21)
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December
(1)
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November
(2)
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October
(3)
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September
(1)
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August
(7)
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July
(6)
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June
(1)
Thought Pieces
3:5 3rd Semester Summary
3:4 Horror Vacui, Clement Greenberg, Vacuums & Voids, Strokes of Insight, and the Phenomenology of Perception
3:3 The "State of Consciousness" in Visual Art: On Immersion
3:2 What Influences Our Perceptions of Art and the Aesthetic?
3:1 June 2008 Residency
2:5 2nd Semester Summary
2:4 A Foundation for the Development of a Personal Visual Language
2:3 Thought Forms of the Ego vs. Formlessness of the Spirit
2:2 Safety and Our Attachment to the Object
2:1 January 2008 Residency
1:4 Fascination with Paint
1:3 Combining Abstract Expressionism with Minimalism
1:2 Abstract Art & The Modern-Day Abstract Digital Photographer
1:1 June 2007 Residency
ON MY BOOKSHELF
A Brief Tour of Human Conciousness, by V.S. Ramachandran
A Field Guide to Getting Lost, by Rebecca Solnit
A Guide to Merleau-Ponty's Phenomenology of Perception, edited by George J. Marshall
A New Earth, by Eckhart Tolle
Abstract Art (World of Art), by Anna Moszynska
Abstract Art, by Mel Gooding
Against Interpretation: And Other Essays, by Susan Sontag
Art and Objecthood, by Michael Fried
Art and Visual Perception: A Psychology of the Creative Eye, by Rudolf Arnheim
Artscience: Creativity in the Post-Google Generation, by David Edwards
Chromaphobia, by David Batchelor
Color in Art, by John Gage
Concsiousness Explained, by Daniel C. Dennett
Echo Objects: The Cognitive Work of Images, by Barbara Maria Stafford
Eyesight Alone: Clement Greenberg's Modernism and the Bureaucratization of the Senses, by Caroline A. Jones
Formless: A User's Guide, by Rosalind Kraus
Freud as Philosopher: Metapsychology After Lacan, by Richard Boothby
Good Looking: Essays on the Virtue of Images, by Barbara Maria Stafford
Insights of Genius: Imagery and Creativity in Science and Art, by Arthur I. Miller
Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self, by Steven Z. Levine
My Stroke of Insight: A Brain Scientist's Personal Journey, by Jill Bolte Taylor, PhD
On Abstract Art, by Briony Fer
Optic Nerve: Perceptual Art of the 1960's, by Joe Houston
Out of Control: The New Biology of Machines, Social Systems, and the Economic World, by Kevin Kelly
Painting Machines: Industrial Image and Process in Contemporary Art: Boston University Art Gallery October 30-December 14,1997, by Caroline A. Jones
Paths to the Absolute, by John Golding
Phenomonology of Perception, by Merleau Ponty, translated by Colin Smith
Pictures of Nothing: Abstract Art Since Pollack, by Kirk Varnedoe
Quantum Shift in the Global Brain: How the New Scientific Reality Can Change Us and Our World, by Ervin Laszlo
Simulacra and Simulation, by Jean Baudrillard
Technoromanticisim: Digital Narrative, Holism, an the Romance of the Real, by Richard Coyne
The Artful Eye, by Richard Gregory, John Harris, Priscilla Heard, and David Rose
The Book of Nothing: Vaccums, Voids, and the Latest Ideas About the Origins of the Universe, by John D. Barrow
The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle, by Jonathan Beller
The Fabric of the Cosmos, by Brian Greene
The Infinite Line, by Briony Fer
The Infinte Book: A Short Guide to the Boundless, Timeless and Endless, by John D. Barrow
The Optical Unconscious, by Rosalind Krauss
The Phenomenology of Merleau-Ponty: A Search for the Limits of Consciousness, by Gary Brent Madison
The Sense of Order: A Study inthe Psychology of Decorative Art, by E.H. Gombrich
The Shadow of the Object: Psychoanalysis of the Thought Unknown, by Christopher Bollas
The Spiritual in Art: Abstract Painting 1890-1985, by Maurice Tuchman
Understanding Media: The Extensions of Man, by Marshall McLuhan
Virtual Art: From Illusion to Immersion, by Oliver Grau
Visual Digital Culture: Surface Play and Spectacle in New Media Genres, by Andrew Darley
Ways of Seeing, by John Berger
REFERENCE BOOKS
A Short Guide to Writing About Art, by Sylvan Barnet
Handbook for Writers: Grammar, Punctuation, Diction, Rehtoric, Research, by Celia Millward
How to Write a Research Paper, from Sparknotes
MLA Handbook for Writers of Research Papers, by Joseph Gibaldi
slide:ology: The Art and Science of Creating Great Presentations, by Nancy Duarte
The Craft of Research, by Wayne C. Booth, Gregory G. Colomb and Joseph M. Williams
MUSEUM VISITS
DeCordova (Drawn to Detail)
Dia:Beacon, NY (Sol LeWitt Drawing Series...)
ICA Boston (Anish Kapoor)
Museum of Fine Art, Boston (Exhibits: Shy Boy, She Devil, and Isis; Contemporary Outlook: German Photography; and Contemporary Outlook: Japan)
Rose Museum ('Arp to Reinhardt: Rose Geometries'; and 'Empires and Environments')
The Guggenheim, New York
The Metropolitan Museum of Art, New York
The Museum of Modern Art, New York
GALLERY VISITS
Adler, NYC (Who Are You? Faceless Tableaux Vivants)
Agora Gallery, NYC (Elements of Abstraction, Labyrinth of Color, Persistence of Form)
AIB Gallery (Sketch, Mix, Draw, Paint)
Allston Skirt Gallery, Boston (Strangefolks: John Copeland, Logan Grider, Elizabeth Huey)
Amos Eno Gallery, NYC (Wei-Hui Hsu)
Artgate Gallery, NYC (Leave Nature to Nature)
Avant Gallery, NYC (Ma Yanlgin)
Bernard Toale Gallery, Boston (Fred H. C. Liang & Greg Mencoff)
Betty Cunningham Gallery, NYC (Rackstraw Downes)
CUE Art Foundation, NYC (Joan Mitchell Foundation 2007 MFA Grant Recipients)
Danese, NYC (Warren Isensee)
Gagosian Gallery - 24th Street, NYC (Paul Noble)
Gallery Kayafas, Boston (Rania Matar & Lissa Rivera)
Gallery XIV Boston (Michael Costello & Tristan Govignon)
Garson Baker Fine Art, NYC (Small Wonders)
George Billis Gallery, NYC (City Lights)
James Cohan Gallery, NYC (Ingrid Calame)
Jeff Bailey Gallery, NYC (This is Not About Landscape)
Julie Chae Gallery, Boston (Alexander DeMaria & Natasha Bowdoin)
Kingston Gallery, Boston (Richard DeVeau)
M.Y. Art Prospects, NYC (Surreal Naivete)
Matthew Marks Gallery, NYC (Jasper Johns Drawings 1997-2007)
McKenzie Fine Art Inc. Gallery, NYC (Barbara Takenaga)
McKenzie Fine Art, NYC (Horror Vacui)
Montserrat Gallery (It's Getting Hot in Here)
MPG Contemporary, Boston (10th Annual Emerging Artist Competition)
O'H+T Gallery, Boston (New Works on Paper)
Pace Wildenstein Gallery - 25th Street, NYC (Robert Whitman)
PPOW Gallery, NYC (Julie Heffernan)
Rose Museum ('Arp to Reinhardt: Rose Geometries'; and 'Empires and Environments')
Sikkema Jenkins & Co., NYC (Mark Bradford)
SOHO20 Chelsea (14th Annual Juried International Exhibition)
Soprafina Gallery, Boston (Winter Salon)
Sundaram Tagore Gallery, NYC (In Your Mind's Eye)
SVA West Side Gallery, NYC (Science as Muse)
Von Lintel Gallery, NYC (Marc Breuer)
Zach Feuer Gallery, NYC (Jules de Balincourt)
My Mentors
Cristi Rinklin
Sarah Slavick
Sarah Walker
Artitsts of Interest
Agnes Martin
Barbara Takenaga
Clifford Still
Cy Twombly
Daniel Zeller
Fred Sandback
Gerhard Richter
Ingrid Calame
Jackson Pollock
James Siena
Jasper Johns
Julie Mehretu
Oliver Marsden
Peter Barrett
Sol LeWitt
Terry Rose
Terry Winters
Yoon Lee
AIB MFA Blogs
Alison Williams
Anarita Droukas
Anne Baumgartner
Brooke Holland
Brynn Dizack
Carolyn Rordam
Cindy Kaylor
Coelynn McIninch
Cynthia Hauk
Cynthia Newsome
Dave Poole
Dianna Vosburg
George Peterson
Jason Landry
Jay Reiter
Julia Melchiorre
Katie Suczynski Ring
Kevin Gray
KT Kessey
LaDawna Whiteside
Lara Woolfson
Lauren Cross
Liz Schrenk
Mark Bolton
Mark McKee
Mark Morelli
Mary Mayer
Melissa Kulig
Nate Stromberg
Neva Austrew
Patrick Loehr
Rachel Woodburn
Rebecca Moran Brine
Rebekah Rocha
Reed Easley
RJ Calabrese
Rob Curfman
Samantha Johnson
Stefan Znosko
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